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How to pass in my Statistics Homework?

It is no secret that majority of the students have a hard time dealing with assignments more so if it is statistics. A lot of students have a lot of phobia when it comes to Statistics; this has a major negative implication on the scores that they get both in their examinations as well as the assignments given in class. This should however not be the case because there are a couple of techniques that one can employ so that they can get to score better grades and ultimately get good grades in their final examinations. Some of the interventions and measures that one can take include hiring a statistics homework solver.

The students should first of all try and emancipate themselves from the attitude and stereotype that they cannot be able to grasp and comprehend the basic concepts and principles in statistics. Most of the students are not able to perform well in the assignment because they have developed this mentality that they cannot be able to get good grades. Girls are the ones that are mostly affected by this issue as they have low self esteem which will ultimately have a major implication on the score they get. Some may even have negative attitudes towards the subject without a good reason.

Moreover, if you are looking into scoring better grades you can do it by paying close attention to what the course facilitator is teaching in class. Most of the time the course facilitator will set the questions in the assignment based on the things that he or she taught during the lesson. When you pay close attention to what the course tutor is teaching you will be able to follow on how to solve a particular problem step by step. This method of learning is much more effective and efficient as compared to learning by yourself at home.

Also, you get to pass your Statistics assignment by going through past papers of assignments given on that same unit. By doing this you will get to familiarize yourself with some of the questions that are most likely to be tested in the current assignments that the course facilitator will give. By doing this you will also be far much ahead of the other students because you will have practiced a lot on those questions and ultimately grasped all the concepts. This is also a technique that you can use to test whether you got to understand what the course tutor was teaching in class. It is also from this premise that you can use to seek the assistance of the course tutor to help you brush up on the areas that you are not well conversant with.

You can also improve your performance index in Statistics by forming groups with your counterparts in class. In these forums you will be able to discuss together issues that you are not able to handle by yourself. It is true that there is power in numbers. By engaging with other student s you will also get to learn shorter and easier methods to handle particular questions.

Information about Caravaggio’s Paintings

His paintings are both sacred and profane. Caravaggio seems to have been divinely inspired in that he naturally knew the details of the actions described by religious scripts through his spectacular imagination. For instance, it was easy for him to make out that Christ was still in a bedraggled condition when he resurrected from the tomb. Before him, artists portrayed the risen Christ as an angel-like, flawless man in white garment with light radiating from all over his body. Caravaggio’s deviance of moral restraint and his dark dimension is why the artist felt compelled to introduce vulgarity to his paintings. Although his interpretations might have been right and divinely inspired, they offended religious patrons who found them to be psychologically disturbing. He vulgarity was not necessary but according to him, he would be lying if he omitted it. The majority of his paintings reflected the controversies that surrounded his life – he could not paint without referring to the experiences he’d been through.


It is difficult to describe Caravaggio’s art without referring to the events in his life’s account. The fact that there was a dark dimension to his art is indispensable. However, there were adequate reasons for his interpretations, which were based on crude reality. He was exposed to too much truth and had an elevated mind that could not be burdened with fantasies. With his artistic genius, Caravaggio saw things in their natural states. Instead of visualizing a clean, smiling, and angel-like St. Mathew, he found the imagery of an old, poor, and illiterate man more befitting.
Although his paintings are vulgar to some extent, the emotions that this vulgarity invokes helps the viewer to look deeper and find honest and truth-bearing representations of what could have been going on in the scenes that he depicted in his paintings. Caravaggio’s exploratory nature exposed him to a lot of knowledge about himself. He seemed spiritually illuminated but instead of conforming to a good cause, he chose self-destruction. The symbolism in his art betrays his inability to bear with his reality, although he was conscious about it.

Background and History

Caravaggio belong to the Baroque art movement. He is one of the founding fathers of modern art especially because of his insistence on realism. His composition of his images is detailed implying that if a character had dirt in his or her finger nails, the artist strived to capture it. His mastery of the Baroque style was a major reason why he got the commission for the church paintings. At the onset of his career, he made mistakes in proportions but these were corrected as he gained experience. Caravaggio uses pitch dark backgrounds from which his characters emanate. This style beckons his audience to pay attention to the activities and physical attributes of his characters. In religious scenes, the artist used a stream of light to symbolize God. His unique strengths included capturing the most intense moment in a scene. He had a way of compelling viewers to contemplate on the content and themes of his work. This ability, coupled with the sculptural quality of his three-dimensional images, made his art enchanting.

After Running out of Jail

Caravaggio worked on “David and the Head of Goliath” painting when he was running fugitive after he escaped from jail. In the painting, David is hold his own head. The image is shocking at first sight and has the potent of provoking psychological disturbance. He sent the painting to the court in Rome to petition for his pardon. The facial expression of Caravaggio’s self-portrait shows his despair. His eyes are uncoordinated and his forehead wrinkled to symbolize feelings of despair and dismay. Unlike Goliath’s, David’s face is youthful and has a hint of vigor in it. The contrast between these two faces symbolize the rift that separates life and death. Although Caravaggio was petitioning for pardon, the painting looks like a representation of the judgment he had placed on himself for all his follies. He was already convinced that he deserved the kind of fate that befell Goliath.

Painting Altars

The inspiration of Saint Mathew was one of the three altarpieces that Caravaggio was commissioned to paint by the Church of San Luigi del Francesi. Like St. Mathew and the Angel, which was described previously, the painting contains controversial content. For this piece, Caravaggio chose a male angel instead of a female one. An old man with a bald head and bare feet portrays St. Mathew. He is receiving instructions from the angel who uses his fingers to direct him on what to do. This piece was accepted alongside The Matrydom of St. Mathew, which was the first in the chronology of this series. It means that the inclusion of a partially nude female angel was more offending to the employers of Caravaggio than the old man depicting St. Mathew. According to the priests, the old man who is probably a beggar that Caravaggio encountered on the streets is too destitute to be saintly.

The Criticism about the Paintings

Despite the realistic quality of Cavaggario’s paintings, some of his patrons were skeptical about his interpretations of bible scenes. In St. Mathew and the Angel, the saint is seated on an armchair with his legs closed. An angel, who has a feminine figure with white wings, is using her fingers to guide the saint in writing what appears to be the first account of Jesus. She is clad in a loose cloth that runs to the ground. However, her right leg is exposed up to the waist. From the context of this painting, the angels seems to have bared her thigh intentionally in a seductive plot against the Saint. The cross-legged posture of Saint Mathew suggests that he is trying his best to avoid the angel’s advances. Although their bodies are close, the saint is leaning away from hers to avoid contact.

The original version of St. Mathew and the Angel was rejected by the patrons of San Luigi del Francesi because of its obscene depictions. Its quality was recommendable but according to his employers, it did not fit with religious purposes. Apart from eroticism, which is evident in this painting, the saint has bare feet and a wrinkled face. His appearance symbolizes poverty. Priests of the Church of San Luigi del Francesi felt that the man in this painting did not resemble a Saint.